Greg and Sharon Keshishian of Ion Art (Photo by John Anderson)
I wouldn’t describe listings editor Wayne Alan Brenner as acquiring an in particular jaundiced check out of the entire world, but I did giggle out loud when he claimed this to me yesterday: “The much more I look at art and assessment artwork, the far more I am sick of it and artists.”
Context is key in this article: Brenner was talking to me about why he was drawn to profile Ion Artwork, the subjects of this week’s protect tale. A modest shop founded by husband-and-wife workforce Greg and Sharon Keshishian, Ion Art is responsible for some of the most legendary neon signage in town (including the Chronicle‘s personal I-35-experiencing a person, a pinkish-pink beacon because the early Nineties). Brenner was lamenting how snooty the artwork environment can be, dismissive of neon as a medium. “‘You know, it really is bars and strip joints, which is what that is,'” Brenner mentioned, mimicking artwork elitists. “They [Ion] have to operate from that stigma.”
In reporting his story, Brenner invested some time at Ion Art’s design-establish studio, marveling at the work-in-progress pieces for their impending “Surreal Garden” interactive art exhibit at the Zilker Botanical Back garden. (He was our person with a camera, far too Brenner shot the studio pictures, when John Anderson took the protect portrait and more shots to be observed on-line with this story.) Pointing to Ion’s facility with not just neon but also glass and wooden and steel, not to point out the engineering know-how expected to make it all zing, Brenner drew a thematic line again to the Shaker ladder-back chair – another beautiful intersection of artwork and craft.
Take that, art snoots.
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