The Montréal-based mostly Canadian artist results in do the job that take a look at id as a locus of competing imperatives and elaborate contradictions. Drawing parallels between the assumed invulnerability of the superhero and the not possible requires positioned upon the modern day individual, Chevrier produces literal and metaphoric masks by combining comic e book imagery assembled from discovered and imagined resources. Her dystopian spin on the legendary determine of the superhero appears to be to expose the flaws in the staged extroversion of the superficial veneer.
The artist examines gender identities and roles, exhibiting a male-dominated environment exactly where Chevrier’s topics denounce the position presented to the female counterpart therein, refusing to enjoy the part of seducer or sufferer. In the better system of Chevrier’s function, the photos represented selection from scenes of conflict, triumph and defeat. They delve into social limits, which corrupt what certainly is lovely and lock ladies into prisons of very-codified and narrow identities. In this, her subjects turn into absolutely nothing quick of superheroines.
Chevrier paints masterfully comprehensive portraiture, producing her girls seemingly emerge from a surreal earth, on to the canvas, whereby a dance is executed among truth and creativeness, fact and deception. She chooses to emphasize the fragility of the superhero, their struggles and weaknesses, and exposes the humanity within just the superhuman. Regardless of all the playfulness of the superhero trope, she emphasized that superheroes are also fragile, all basically human gentlemen and females, all entitled to our flaws and problems.
“To paint is to enjoy with shades, to permit them dance with each other, to intertwine to develop into a person or extra, an infinite chromatic circle. To paint is to acquire all the things that mother nature features us and make it yours. All those hues that are only offered to us due to the fact our eyes and brain get the job done jointly to translate light into shade. An apple is not crimson. Shade exists only in the head of the beholder.”
At any time encouraged by shade and its impact, Chevrier has incorporated shade shading into her reference photoshoots over the very last pair decades, actively playing with blues, ambers, yellows, and reds on the skin. She has uncovered each individual a person tells a different tale and embraces that in this new overall body of perform.
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