I frequented the
National Gallery
in London yesterday to view the
Winslow Homer – Pressure of Character Exhibition
– and I’ll be accomplishing a evaluation of this afterwards – in all probability as a sequence of more compact
posts as you can find a large amount to comment on and it is open up until finally 8 January 2023.
Afterwards, I walked all over the rest of the Gallery – and felt totally
and utterly
discombobulated!
I believe it is likely my very first check out for around a 12 months and quite maybe longer
because of to the combination of the pandemic, then steering clear of large interior spaces with
plenty of men and women pre-medical procedures, then the finding completely ready for surgical procedure and the
recovery period. Therefore I’ve no plan how extensive it can be been like this. I
feel it truly is possibly relatively latest as I came across this report from the
Art Newspaper.
Going Michelangelo and hauling Holbein: renovation headache for London’s
Nationwide Gallery. A bicentenary renovation job tends to make the London museum participate in a difficult
recreation of musical chairs with its collection
Anyway – a ton has altered!
Quite oddly, pretty small of what has altered is spelled out effectively on the
website – so if you like me have not frequented for a when you might effectively truly feel
similarly discombobulated!
I received additional info about what is occurring from The Artwork Newspaper short article
than the website – which is odd to say the minimum when you cannot project deal with
updating the web page at the same time as earning substantial changes to the content on
screen and its format!
Under is what I identified in the
Gallery……..
![]() |
The Gallery with the Constables and the Turners and the wonderful leather-based sofas – a person of the couple of parts of the Nationwide Gallery which is comparatively unchanged |
- big sections which are simply just not accessible
because of to restructuring / renovations / getting ready for NG200
in 2024 (which I’d not read of prior to). That’s as in:
- Pretty much ALL of the Sainsbury Wing is out of action (Rooms 52-59 and 62-66 + the Basement Gallery
- plus Rooms 1-8 in the Wilkins Building – which is exactly where exhibitions which would have been in the Sainsbury Wing are now getting held – as in the new Lucian Freud exhibition
- plus a great deal additional rooms on the second ground of the major developing – which helps make strolling all over in a circle actually hard – you have to backtrack a whole lot.
-
I appeared at the floor designs afterwards – which have no obvious / notable
legend/critical and are for that reason are approximately incomprehensible - you can obtain the floor program as at September 2022 which does not reveal that grey implies inaccessible and helps make no difference between gallery areas which are closed and areas given in excess of to other functions of the Gallery which have hardly ever been obtainable.
- base line – it is really difficult to get your head about even if you’re used to the structure of the gallery!
In the future couple of months, the image galleries in the Sainsbury Wing will
close to prepare for constructing is effective as element of NG200.
Discover out far more about particular person room closures on the Level 2 floorplan
web page.
Later this month London’s Nationwide Gallery is because of to announce options for
its 2024 bicentenary celebrations and an affiliated building task. But
while the a great deal-wanted upgrading of its Sainsbury Wing entrance will be
welcomed, it poses logistical troubles for the gallery—and it will have
a substantial momentary impression on exactly where paintings are shown. The Art Newspaper (13 June 2022)
-
the explanations in the Gallery of how to transfer all around/by are
both absent or complicated. They could make perception to museum staff but I know the Gallery perfectly and I
was struggling. I was only lost muc of the time as to which section of the
constructing I was in – as I’ve always navigated by art on the partitions earlier! - substantial pieces of the collection have been rehung in distinctive galleries
-
partly to accommodate the need to have to get the early art out of the Sainsbury
Wing -
partly to accommodate the exhibitions which would generally be in the
gallery at the base of the Sainsbury Wing have experienced to occur into the most important
Wilkins Constructing. -
Dutch Floral Even now Lifes – which I stop by just about every time I acquired to the
Gallery – are totally nowhere to be noticed. - somewhat number of paintings appear to be in the same place
-
the ‘story of art’ in some galleries is seriously, actually strange! It
just about appears to be like like “what can fit where by” exercise at situations. -
smaller spaces = much far more crowded I would advise going throughout
several hours when the large quantity of excursions are not ‘working’
It was a serious aid when I got to galleries which appeared virtually the identical as
they often do. The Canaletto’s and Guardis are in the very same put as are the
Constables and Turners.
On the furthermore facet
I observed far more artwork that was new to me than ever observed on earlier visits! Some of which is extremely, quite fantastic.
In addition some hanging juxtapositions which enhanced the viewing – these types of as
the Vermeer Virginals below
![]() |
A Younger Woman standing at a Virginal (c.1670) A Younger Woman seated at a Virginal (c.1670) by Johannes Vermeer |
What upset me is that this present transform is naturally going to past at least
until eventually the stop of 2024 i.e. at least two additional many years – and may properly alter once again
during that time.
So where’s the artwork – and is it on perspective?
Seemingly you can glimpse up where your favourite artwork is – IF it is even now
hanging although the modifications take place.
![]() |
NOT ON Show!! |
There is a little something about relocating favorite paintings in art galleries which is
not good…
It is like dropping an outdated buddy…..
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